Songs for Sunday Parlours is the project of Malte Jantzen and Saskia
Melina Waldeck, a duo, sometimes a trio, from Nordhessen, Germany. The
started in 2005, and at the end of this year they released this first
demo ep of acoustic lo-fi folk songs.
Checking the blog of Malte, you learn that he is, among others, fan
of Audrey, Norfolk & Western, Leonard Cohen, Bright Eyes, Anois or
Hush Records in general. Combining these names, you’ve got the idea of
how his songwriting could be oriented; I would just add as my best
approximate definition, something from the preciousness of Jen Wood or
Snailhouse - and maybe Ida too -, to get a blurry circumference of the
Songs for Sunday Parlours universe, as they share have something in
common, this indefinable that can make you shiver with repeated listens.
This ep features four very quiet delicate melancholic folk songs,
with whispered and intimate vocals from Malte and second voices from
Saskia. The acoustic guitar is always at the center of the songs, with
sometimes sparse percussions or a shy piano.
Listening to Songs for Sunday Parlours, I have images of winter
landscapes, during these last days where the thaw starts to wake up
rivulets, when a few birds sings anew, enthusiastically in the morning.
Malte Jantzen creates subtle and sensitive songs, with warm and almost
feverish nuances, acidulous colors and perfumes, comforting like a big
cup of tea one Sunday morning spent alone, waiting contemplatively for
the sun to pierce the clouds.
A great and impressive debut, heartily recommended, it will embellish your reflective days.
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