The trouble with ambient drone music is that it is quite simple to start repeating yourself after a few compositions and through the process, you may lose a part of your appeal, as, not matter the level of quality you'll achieve, you will start to fail at surprise listeners.
To this situation, Alex Smalley and Simon Bainton brought the option to broaden their sound, giving rise to backwards influences.
There are ten compositions on this second album but they are regrouped into sets of two and three, so we end up just to have four tracks.
