"Upon Thousands” is not a difficult or modern album. It could have been certainly already released in the first part of the nineties. Except maybe the fact that the voice is sometimes prominent (a fact that could be understood as an early Bright Eyes similarity or as an emotional position). It's the melodies and the instruments that marks this time limit of a very attractive and engaging record that would have been a classic (or at least critically mythic) album if released then. Most of the songs on “Upon Thousands” are slighly reworked version of the ones on his record on the netlabel Sundays in Spring.
