Chris Watson - el tren fantasma (2011, Touch)

Each Chris Watson release is a mystery, through which finally you realize you are using just a small part of your hearing, and so it is stimulating as you're taken as passenger and listener of his own quests and explorations.

He is not someone pretending to a career or to a reputation through his record, and his record are always a conjunction of both attraction and elaboration of soundscapes through the use of field recordings.  

Fennesz - seven stars (2011, Touch)

Four tracks, eighteen minutes, a new EP by Fennesz, nice, pleasant, but not considerable,  it is suble but in the comet tail of his previous works, without unsettling sparkles or breathtaking instants.

Chris Watson & Marcus Davidson - cross-pollination (2011, Touch)

There are two different sides for this new album by Chris Watson. On the first half of 28 minutes, he reorganized and reconstructed a collection of sounds captured in South Africa's Kalahari desert, during the night, between sunset and sunrise.

Chris Watson & BJ Nilsen - storm (2006, Touch)

The starting point of this collaboration was of pure meteorological substance : during December 2000 several significant storm fronts had developed across the North Sea and Scandinavia and BJ Nilson (in Sweden) had made field recordings of those on the Baltic Coast and submit the idea to Chris Watson (in UK).